- MAXIMUM SETTING PRODUCES INFINITE SELF-OSCILLATING CHAOS,
ALLOWING USER TO FIND A (DYNAMICALLY DEPENDENT) SWEET SPOT.
- DIGITAL ECHO CHIP, ALL-ANALOG TONE SHAPING & FILTERING.
- POPLESS TRUE BYPASS SWITCHING.
- SUPER LOW-NOISE CIRCUIT DESIGN.
- 1/4" / 6.35MM INPUT & OUTPUT JACK SOCKETS.
- INPUT IMPEDANCE (APPROX): 1M
- OUTPUT IMPEDANCE (APPROX): ≤7K
- POWERED BY STANDARD 9V DC (NEGATIVE CENTER).
- CURRENT DRAW (APPROX): <25MA
- VINTAGE STYLE AMBER LED INDICATOR.
- REVERSE POLARITY CIRCUIT PROTECTION & POWER FILTERING.
- STANDARD 2.1MM POWER SOCKET FOR REGULAR PEDAL POWER
SUPPLIES & DAISY-CHAINS. (BATTERY IS DISCONNECTED WHEN
POWER JACK IS INSERTED).
- BATTERY CLIP OPTION INSIDE
(POWER SAVING WHEN INPUT JACK IS ABSENT).
- PP3 9V BATTERY INCLUDED!
- SATIN VINTAGE-STYLE ACRYLIC FINISH.
- ROBUST & COMPACT DIE-CAST ALUMINIUM CHASSIS.
- FULLY SHIELDED UNIT TO ELIMINATE INTERFERENCE AND NOISE.
-COMPATIBLE BEFORE AND AFTER MOST OTHER EFFECTS UNITS -
BUT LET YOUR EARS DECIDE!
- HAND WIRED & FINELY CALIBRATED FOR STUDIO-QUALITY TONE.
IS AN EFFECT LOOSELY BASED ON THE TONE AND CHARACTER OF THE RECORDING TECHNIQUES & TOOLS USED TO SIMULATE
AMBIENCE DURING THE EARLIEST YEARS OF MUSIC PRODUCTION.
SOUND ENGINEERS OF THE 1950s DEVELOPED A NUMBER OF METHODS FOR ADDING DEPTH & LIVELINESS TO RECORDINGS. THESE USUALLY CONSISTED OF PHYSICALLY LARGE OR
EXPENSIVE DEVICES & TIME CONSUMING PROCESSES, SOME OF WHICH INCLUDED USING TAPE MACHINES, DRUMS & OIL CANS, HEAVY METAL PLATES, SPRING TANKS & ACTUAL LARGE, NATURAL SPACES OR SPECIALLY BUILT ACOUSTIC CHAMBERS.
THIS SIMPLE & COMPACT, SINGLE-CONTROL DEVICE PRODUCES SOUNDS SIMILAR TO THESE TRADITIONAL, CLASSIC TONES. LIKE AN ECHO CHAMBER, THIS UNIT GENERATES A SERIES OF SHORT ECHOES, CREATING SOFT FLUTTERS REMINISCENT OF THE ORIGINAL SPRING REVERB UNITS OF THE 1940s - THOUGH LESS ‘DRIPPY’. THE MAXIMUM SETTING WILL SEND THE UNIT INTO SELF-OSCILLATING CHAOS, ALLOWING THE USER TO FIND A (DYNAMICALLY DEPENDENT) SWEET SPOT.
GREAT AT THE END OF A PEDAL CHAIN, OR USED IN AN AMPS EFFECTS LOOP.
